Author: Helena Horn

Michael Pinsky – THE FINAL BID

An ecologic simulation and a resource-saving auction

Michael Pinsky makes the air and climate change the content of his work and especially in the exhibition at the Draiflessen Collection he focuses on sustainability as an action principle for the use of resources. With the processual installation THE FINAL BID – which Pinsky will realise for the first time in the Draiflessen Collection – he transforms the museum into an auction hall for chairs. The largest part of our personal Co2 footprint is caused by the consumption of clothing and household goods.
Read the full article including the interview with Michael Pinsky in the August issue > 2022_o3 ..  → Read more

CLAUDIA ROBLES-ANGEL

REFLEXION – In Sync / Out of Sync

“Light allows me to embody imagination by projecting a mental image that due to its immaterial character cannot be displayed by any other material, since only light can give form to the intangible. In the interactive light and sound installation REFLEXION – In Sync / Out of Sync – two visitors are invited to sit close to each other surrounded by a light structure made of electroluminescent wires to pursue the synchronisation of their heartbeats, which are measured via finger pulse sensors to steer sound and light of the art work. When the frequencies of their heartbeats diverge, the installation responds in an Out of Sync state and the sound becomes dissonant; however, when they are close to synchronisation or fully synchronised, the installation reacts in an In of Sync state, with agreeable and non-dissonant sound in the immersive soundscape. → Read more

Jakob Kudsk Steensen > Berl-Berl

On the future of the marshes

The work of Jakob Kudsk Steensen oscillates between the analogue and the digital, between new technologies and scientific discourses, between futuristic visions and multi-layered soundscapes. Steensen works with 3D animation, sounds and immersive effects. At the intersection of hybrid world-building and visual storytelling, he reinterprets ecological themes.

Read the full article in the issue August > 2022_3
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PANTA RHEI

Everything is in motion.
Light art in the historic waterworks

The exhibition’s title is ‘panta rhei’. With these words, Heraclitus is said to have summed up his teaching: “No one can step into the same river twice, for everything flows and nothing remains.” Two and a half thousand years after the Greek philosopher’s death, his lesson is relevant as ever. All is in flux and things are ever changing, each moment gone in the blink of an eye. Man is part of an eternal cycle of coming and going, birth and death as glimpses of evolution in the continuous becoming of time and space. → Read more

PURE II

Phenomena of viewing II

The concept of the exhibition is based on different levels of painting. All artworks relate to the wall and reveal their origins in painting. They have reduced their vocabulary of form to basic geometric structures, because the material they are based on not only serves as material equipment, but colour, form and light appear as central compositional elements as well. → Read more

IAN STRANGE

Back to live
LIGHT INTERSECTIONS II extracts and abstracts the perspective lines of a decayed architectural structure and reinserts them back into the building as rays of light. Light beams puncture the walls, ceiling, and windows across the two levels, and mutate into perfectly aligned, stringent lines in the real space. The idea is based on an abstracted two-point perspective that pierces the exterior and interior walls of the building, emphasising its dilapidated state. The site-specific artwork transforms this 19th century building in Sydney fully and brings it back to new life.

Read full article in ArtLight 2022_1 (February)
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ALMUDENA ROMERO

Leaves and plants become image media

For her project ‘The Pigment Change’, Almudena Romero (*1986, Madrid/SP) exposes plants to precisely defined amounts of light and uses the natural pigment changes to create images on leaves.
Most plants have a variety of pigments that reflect light and absorb energy from a wide range of different wavelengths. Photoperiodicity, photobleaching, photosynthesis and selective growth are the biological processes Romero uses to print photos on leaves. Plants produce chlorophyll (green), carotenoids (yellow) and anthocyanins (red, purple, blue) to survive. The artist for example projects negatives from her family archive directly onto beds of cress.

Read full article in ArtLight 2022_1 (February)
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Essen Light Festival

REMONDIS Light Award
With its transformation from the centre of the coal and steel industry to the third greenest city in Germany and the Green Capital of Europe, Essen stands for sustainability and change like hardly any other major city. Together with REMONDIS, the Essen Light Festival is once again taking up this theme and presenting the REMONDIS Light Award for the third time. The winners will present their light installations, light art or video mappings at the Essen Light Festival. → Read more

Ahrenshoop > Elisabeth von Eicken und Paul Müller-Kaempff

Capturing the light in the moment

In 1889, during a travel to the Baltic Sea, Paul Mueller-Kaempff became acquainted with Ahrenshoop. Shortly afterwards he moved to the remote fishing village on the Darß and opened the St. Lucas painting school in 1894. The painter Elisabeth von Eicken also moved to Ahrenshoop in 1894 and had a villa built here. It was the pristine nature on the peninsula chain of the Vorpommersche Boddenlandschaft and the light there that fascinated both painters. → Read more

TOUCH > DAAN ROOSEGAARDE

The brief moment of touch

A handshake, hug or light kiss on the cheek have become dangers. What until recently was completely commonplace, a friendly sign of human encounter, is suddenly no more. We have to keep our distance. But for millions of people around the world, a handshake is a familiar greeting ritual. So, the brief look in the eye and firm handshake of Joe Biden and Vladimir Putin in Geneva in June 2021 were a powerful sign of peace the world had been waiting for. It raised hopes for a revived cooperative period between the two world powers. → Read more