JOHANNES S. SISTERMANNS

ma meta [Marl] _ KlangPlastik | 2020

The new KlangPlastik (this term was coined by Johannes S. Sistermanns) ‘ma meta [Marl]’ was created especially for the Skulpturenmuseum Glaskasten Marl. In the multi-media space, sound, colour, video, space, photo, drawing, foil, five individual perspectives (including graphic notation / Australian paper tree bark / resonating wall / stretched foil), which are loosened and seamlessly positioned in relation to each other. Decoupling creates space: that between spaces [ma]: unpredictable, unrepeatable, unfinishable: only the perceiver can qualify, experience all this. At the same time: space is membrane: space is resonance. Sound sources are almost exclusively decoupled from traditional sound projection in loudspeakers. Sounds are transmitted directly to foil, wall, wood, iron by means of sensors and exciters.

Sound projection on window glass transcends any architectural room boundary. This permeability accentuates the interface between inside and outside. Sistermanns works intuitively, following impulses and in what he does not know about space. In this way, ignorance, impulse and intuition open up further undefined individual perceptual approaches to ‘ma meta’ for the sensation, experience and recognition of the exhibition visitor. The KlangPlastik represents neither an idea nor a message. The exhibition is only itself.

“Sistermanns operates from a space of potential. Boundaries based on the material properties of instruments or spaces are no longer constitutive here, but rather the informational power of the individual perceptual capacity.” (Vera Bühlmann, Media Philosopher, Vienna)

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